Thursday, 13 November 2014

Major Project Update: November 2014

I’m now well into the fourth course assignment (major project parts 3 and 4) and I’m finally waking up to how difficult a task I’ve set myself for the major project. Essentially, the problem is how to produce a series of linked, high quality, aesthetically pleasing images that address the question: “why do we feed wild birds in the UK?” I should also be using the project to develop a consistent, personal style.

For some time I had planned to incorporate my images into a picture story (perfectly acceptable, according to the brief), which dealt with environmental issues such as habitat destruction and change of land use, as well as giving a short overview of the reasons why we have fed birds in the past, before concentrating on images of birds and people that are designed to answer my highlighted question. However, I was simply unable to find a smooth link between the different sections of the story and, in addition, was finding it difficult to produce images that were self-explanatory: in other words, that did not need captions to explain their significance. Finally, the images that I had produced or was planning to produce were straying into the genres of landscape photography and photo-journalism, when I had been advised by my tutor to concentrate on wildlife and documentary photography. As a consequence, I have decided to concentrate on the interactions between people and birds, and their consequences, for the major project and to incorporate some of my other work into a bigger, personal project that could, eventually, be turned into an exhibition with the general theme of “Feeding the Birds” (see later).  I have been given extra time by my tutor to develop my plans, with a revised submission date for Assignment 4 of late January 2015.

Modification of the Story Board
My new plan for the story board is that it will consist of a series of images that deal with what I believe to be the main reasons why we feed wild birds, namely: (a) examples of feeding birds to produce food for ourselves, (b) altruism, (c) commercial benefits, (d) conservation of species, (e) introducing young people to nature, (f) taming and “controlling” nature, (g) bird and wildlife photography and (h) companionship with birds.

A major subset of images will show people of varying ages (from the very young to the very old) feeding and interacting with birds (from very small to very large) in various ways, whilst other images (particularly those relating to item (g) above) will just show the behaviour of the “fed” birds themselves.


Whilst this change should allow me to produce a more consistent set of images it still introduces problems. How, for example, to represent item (a) above in one or more single images? A photograph of a game bird feeding doesn’t tell the story: should I (a) produce a “split screen” double image of a game bird feeding on grain provided for it and a bird hanging up in a butcher’s shop window or perhaps (b) produce a “triptych” of these images, together with a photograph of people shooting? I could use two or more of these images separately, but this would not fit in comfortably with the general theme that I am trying to develop. Alternatively, I could just ignore item (a) and concentrate on the other reasons for why we feed wild birds. I am currently wrestling with this and several similar problems. Sooner or later I’ll have to come up with solutions!

Production of a Story Book and Supplementary Work
Irrespective of what is included in the final set of images that comprise my major project submission I will produce a photo book that contains images which deal with environmental issues, in addition to looking at current practices of feeding birds. I will also incorporate text here that explains the significance of the images. The photo book will be submitted for assessment and may include 30 or more images, some of which could be derived from the “spin-off” projects described below. I still intend to include one or more video presentations, most likely featuring the activities of birds feeding from the hand or at feeding stations, in the final submission.

“Spin-off” Projects
Whilst trying to produce images of suitable quality for my major project work I am developing a couple of “spin-off” photographic projects relating to feeding wild birds. Whereas these may produce images for submission as part of the major project work they are also developing my personal interest, both in the process of feeding wild birds and in bird behaviour. These could be incorporated into an exhibition on the general theme of “Feeding Wild Birds in the UK”.

1.       Birds at my Feeding Station, Royston
I have set up a feeding station in my back garden in Royston. Using a black background (I intend to repeat the process with a white background) I have photographed interactions between birds (mainly goldfinches) using the feeders, in addition to logging visits from squirrels, etc. The results can be presented as a single image (e.g. Image 1) or as a composite of two or more images (e.g. Image 2, which is actually a composite of two images). In this way I can highlight bird behaviour, choose images that demonstrate the potential of feeding stations to produce aesthetically pleasing and possibly commercial photographs of birds [Item (g) above], demonstrate the “pecking order” that occurs at bird feeders or link several images together to produce a “fun” panorama of life at the bird feeder.

Image 1

Image 2

1.       Birds Feeding from the Hand
The birds in London’s parks are particularly keen to take food from the hand: indeed, some have become almost completely dependent on us for food. Recently I fed and photographed eight different species from my hand, ranging in size from a great tit (Image 3) to a mute swan (Image 4), in a day. I could incorporate an image of this type into the major project portfolio (although I would prefer to feature birds being fed from the hand by others, which is currently a work in progress: see below), but I have also set myself the task of photographing myself feeding as many different species of bird as possible from the hand. I will then present the work as a collage or a themed series of images. Whilst this work may fulfill some of the criteria for a major project portfolio it does little to answer the question: “why feed the birds”, so I’m just regarding it as a “fun” project at present. This work may also be suitable for a video.

Image 3

Image 4

Recent Work and Images
Images 5-7 provide a few examples (from many) of my investigation into the interactions between people and birds, which attempt to highlight some of the reasons why we feed wild birds. Images 5 and 6 show the very young as well as mature individuals feeding (or, in the case of Image 5, helping to feed) wild birds. Image 7 is a poor photograph but important as an image concept: an elderly lady watches from a hide as birds are fed outside.

Image 5

Image 6

Image 7

Future Work
In the immediate future I will continue to investigate the interactions between people and birds, both in London’s parks and at reserves, such as WWT Welney, where wild birds are regularly fed for commercial and/or conservation reasons. I will attempt to photograph from angles and positions that result in aesthetically pleasing results, although the acts of feeding are usually spontaneous and unpredictable, so it is often impossible to shoot in a controlled manner without eliciting help from my subjects. For this reason I may have to elicit support from friends and family……or is that cheating? The resultant images will be aimed at illuminating reasons (b) to (h) for why we feed wild birds (see above), although I will not abandon the hope that I can find one or more images to illustrate reason (a).

I will be anti-social in hoping for a hard winter with snow (no evidence so far!) in order to encourage more birds to feeding stations, including my own, where I can photograph their behaviour more easily. I am also considering trying some time exposure experiments to produce abstract, blurred images of birds flying around (my) feeders: I’ve no idea what the result will be, but it will be interesting to find out!

Finally, the environmental impact of man in reducing available food for some bird species (mainly by habitat destruction) whilst providing extra food for other, more adaptable species, has not been forgotten. I will continue to try to find images that, individually or collectively, tell this story. However, it is very possible that they will no longer form part of my major project print portfolio.







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